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  • Giacomo Tortorici before 'Sacrario ai Caduti', a work of art by Giuseppe Uncini.
    Photo code: 0678_BZ_001
  • The church of San Giuseppe.
    Photo code: 0678_BZ_002
  • Tommaso Palermo and the installation ‘Ascoltare' by Giuseppe Albanese.
    Photo code: 0678_BZ_003
  • 'Montagna di Sale', a work of art by Mimmo Paladino at the Orestiadi foundation.
    Photo code: 0678_BZ_004
  • Michele Calamia between 'Omaggio a Tommaso Campanella', a work of art by Mimmo Rotella -left- and 'Torre Civica’ by Alessandro Mendini -right-.
    Photo code: 0678_BZ_005
  • The cupola of the Chiesa Madre designed by the architect Ludovico Quaroni.
    Photo code: 0678_BZ_006
  • Rocco Pizzolato at the 'Sistema delle Piazze' by Franco Purini and Laura Thermes.
    Photo code: 0678_BZ_007
  • 'Labirinto', a work of art by Nino Franchina.
    Photo code: 0678_BZ_008
  • Nunzio Ippolito before 'Città di Tebe', a work of art that Pietro Consagra has created for the performance of Oedipus the King.
    Photo code: 0678_BZ_009
  • The sculpture 'Ingresso al Belice' by Pietro Consagra.
    Photo code: 0678_BZ_010
  • Aldo Leone before 'Aratro', a work art by Arnaldo Pomodoro.
    Photo code: 0678_BZ_011
  • The cupola of the Chiesa Madre designed by the architect Ludovico Quaroni.
    Photo code: 0678_BZ_012
  • Giulio Ippolito, vice-president of the Orestiadi foundation, and Mimmo Paladino’s work of art 'Montagna di Sale'.
    Photo code: 0678_BZ_013
  • 'Tavolo dell'Alleanza', a work of art by Igino Legnaghi.
    Photo code: 0678_BZ_014
  • Vito Tritico at 'Sistema delle Piazze' by Franco Purini and Laura Thermes.
    Photo code: 0678_BZ_015
  • 'Tempio del Sole', a work of art by Mimmo di Cesare.
    Photo code: 0678_BZ_016
  • Giuseppe Maiorana at Palazzo di Lorenzo, built by the architect Francesco Venezia with the stones of a building of the old Gibellina.
    Photo code: 0678_BZ_017
  • 'Meridiana/Ellittica', a work of art by Ettore Colla.
    Photo code: 0678_BZ_018
  • Serena Pirrello before the cupola of the Chiesa Madre designed by the architect Ludovico Quaroni.
    Photo code: 0678_BZ_019
  • 'Scultura', a work of art by Fausto Melotti.
    Photo code: 0678_BZ_020
  • Mrs Navarra before the 'Torre Civica', a work of art by Alessandro Mendini.
    Photo code: 0678_BZ_021
  • 'Fontana', a work of art by Andrea Cascella.
    Photo code: 0678_BZ_022
  • The shepherd Mantino outside the 'Meeting' bar designed by Pietro Consagra.
    Photo code: 0678_BZ_023
  • An archway by Pietro Consagra at the entrance of the Botanical Gardens.
    Photo code: 0678_BZ_024
  • The shepherd Giuseppe Lipari with his goats and the cupola of the Chiesa Madre, designed by the architect Ludovico Quaroni, in the background.
    Photo code: 0678_BZ_025
  • 'Città di Tebe', a work of art by Pietro Consagra and the town hall in the background.
    Photo code: 0678_BZ_026
  • Giuseppe Binaggia at the 'Cretto', a work of art by Alberto Burri placed on the ruins of Gibellina vecchia -the old town-.
    Photo code: 0678_BZ_027
  • 'Contrappunto', a work of art by Fausto Melotti.
    Photo code: 0678_BZ_028
  • Lorenzo Barbera, founder of CRESM -Centre for Economical and Social Research in the South- before the 'Tempio del Sole', a work of art by Mimmo di Cesare.
    Photo code: 0678_BZ_029
  • 'Sistema delle Piazze' by Franco Purini and Laura Thermes.
    Photo code: 0678_BZ_030
  • The artist Carlo la Monica and the 'Grande Area 85', a work of art by Marcello de Filippo.
    Photo code: 0678_BZ_031
  • A herd of sheep passing before the 'Cretto', a work of art by Alberto Burri placed on the ruins of Gibellina vecchia -the old town-.
    Photo code: 0678_BZ_032

ITALY - Gibellina, utopia laboratory or ghost town?

Photos: Bruno Zanzottera

Gibellina Nuova was created in contrada Salinella, Salemi, 20 km from the old town of Gibellina, destroyed by the Belice earthquake in January 1968. Senator Ludovico Corrao, former mayor of Gibellina, asked several artists to install works of art in the town. Alberto Burri, Pietro Consagra, Mimmo Paladino, Arnaldo Pomodoro and others took part in the project. Significant funds were also allocated for the reconstruction. Today many works are being renovated and others have never been completed giving the impression that Gibellina is a partially abandoned surreal place. How do the citizens of Gibellina Nuova live? Particularly the elderly who have left their houses destroyed by the earthquake and the youth who were born here?

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